About

3D generalist and VFX supervisor in Budapest. Modelling, texturing, lighting, compositing — Blender, Substance, Fusion. On-set VFX supervision when the project calls for it.

Originally trained as a landscape architect, which means I came to the film industry by way of engineering drawings, site plans, and a stubborn habit of measuring things. It shows up in how I plan a shot.

Most of what isn't 3D on this page — the HTML Heaven work, the street-functions research, this site — only exists because I learned to pair IntelliJ with the Claude CLI over the past year. GitHub used to be a mystery; now I'm in it every day. The combination took me from can read code to can ship the thing, and turned research that would have stalled in spreadsheets into something I can actually work on. The tools widened the range; the taste and the decisions are still mine.

Experience

VFX Supervisor — Deep Creative Collective

2025 – 2026 · Budapest

Short-form video and social-media content for large brands. 3D effects and VFX using Blender, ComfyUI, and Adobe Premiere Pro. Deep Creative is one of the newer leading advertising studios in the city, working primarily in the social-first format.

Freelance — 3D Supervisor & Lighting Technician

2024 – 2025
  • 3D Supervisor — The Shape of Ideas (X-Plast commercial), Michelangelo Viera brand launch, AWS — Senki nincs már ébren (music video), Pannónia Scholarship Programme.
  • Lighting Technician — Péntek esti irgalom (short, drama), Milo — Vérző Szív (music video), GHO$TY × MILO × 2'2GLOCK — POFON (music video).

Education

Moholy-Nagy University of Art and Design (MOME), Budapest

Held by DIGIC Pictures at MOME
CGI Artist Course — 2024 – 2025
VFX Artist Course — 2023 – 2024

The two MOME Open courses were the most influential on my career — both run by DIGIC Pictures alongside experts from the top of the Hungarian VFX scene.

Szent István University

BSc, Landscape Architecture — Urban Planning specialty · 2013 – 2018

Never worked in the field, but the engineering foundation still shows up in the work — useful in ways that sometimes set me apart from peers who came up purely through film.